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Conscious management of expressivity
Shvachko, Elizaveta ; KUDLÁČKOVÁ, Jana (advisor) ; HLAVICA, Lukáš (referee)
Thesis deals with conscious management of expressivity on stage. Firstly the author of the thesis name basic issues related to psychical and physical tension during performance, secondly the author defines basic terminology related to tention and jitter. The core of this work is application of knowledge acquired during studies at DAMU, during first experiences of performances in front of audience during studies and also acquired from first experiences from professional environment of theatre and film. The author also analyzes her personal themes related to her own personality as possible obstacles in order to do acting profession.
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THE LIFE OF IMPULSES
Jandáčková, Kateřina ; ADÁMEK, Jiří (advisor) ; KLÍMA, Miloslav (referee)
Kateřina Jandáčková in her diploma thesis THE LIFE OF IMPULSES, The Hidden Role of Coincidence and Intuition in a Creative Process examinates the phenomenon of intuition through her own experience. She percieves intuition as something that helps her to capture and to preserve all the external and internal random impulses that originate during collecting of material and searching for a theme for prepared production, or during rehearsals. Each chapter has a title of one of her own seven productions. In those chapters the author of this thesis reflects her previous knowledge and conclusions. Also she reflects certain problems conected with this theme that she dealt with during rehearsals. In the end she finds common thematic link that connects all her productions up to date and which also responds with her social opinion.
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Mechanisms of the Creative Process
Hadušovská, Michala ; HAVELKA, Jiří (advisor) ; TOMÁNEK, Karel František (referee)
In the thesis entitled Mechanisms of Creative Process, the author examines and reflects her own creation and creative process. The purpose of this study is to discover the internal order and logic of the creative process, respectively to discover the mechanisms and tools with which it works. Knowledge and awareness of the used techniques should serve to make the tools know better, consciously grasp and, above all, develop. The most important aim of the thesis was to try to follow the phases and transformations of the creative process from the creative idea to the realization of the performance. For better orientation, the process of creation and the text of the thesis are divided into four phases and two wider circuits. The first circuit deals with the period of preparation,
the second part is the reflection of its practical part, the theatrical rehearsals.
Tracking her own path and distinctive way and approach to creation from
a distance, has given the author a clearer picture of how the mechanisms and tools work inside the process. Their knowledge and development gives them the ability to transform the thoughts, ideas and visions into reality more consciously and purposefully.
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